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Axiom Action
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Axiom: a statement or proposition regarded as self-evidently true. Axiom Action: to act on known truths.Blog Archives
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Author Archives: Bart Windrum
Accounting for Medical Error in “Top Ten Causes of Death Charts”
For the first time, I’m now published in a medical journal. The article’s entitled “It’s Time to Account for Medical Error in “Top Ten Causes of Death” Charts” published by the Society of Participatory Medicine’s Journal of Participatory Medicine.
Thanks to editor Kathleen O’Malley and SoPM co-fonder Dave deBronkart for their interest and insightful editorial guidance, and author/editor Terry Graedon for suggesting improvements.
Addendum: Anyone reading my article should immediately afterwards read Joel Selmier’s profoundly insightful examination of the need to relabel medical error and, indeed, the rest of his work.
Bart Windrum is a citizen end-of-life reform advocate.
The King’s Cloak (Beware Stories: They Are Not Actionable)
I’m poised to help a media outlet test and promulgate a tool to help its large follower base to share their stories—and honored to be one of thee out of almost 1500 social media feed subscribers to be asked.
Yet I remain as troubled as ever by the role of stories (about which I’ve chronicled before in this blog) in the harmed patient and future patient communities.
Due to reflecting on deficiencies I experienced today, again, throughout another well-intentioned end of life panel discussion, I’m in a deep, troubled state of mind. A new metaphor has occurred to me about the role of stories. It goes quite against the current grain. That’s me; ever the contrarian. Am I disliked for it?…wouldn’t change me.
When I last addressed storytelling’s dark side (at the link above), May 2011, I wrote to beware when offering your story, that it end up being used simply and solely as a foil against which experts could pontificate while your hard won lessons went unasked about and unexpressed. Most patient activists, even if not authors or aspiring speakers, want to offer and express their lessons.
Today I’ll write about stories as clothing, as emotional shelter.
It’s evident to me that stories’ goodness is garment-deep. I see listeners/readers putting on and swapping peoples’ stories as if trying on clothes. In a way, it’s survival; we all want, and need, to be warm. In a way, it’s all fashionable; we gather, commune, feel full. And we are full, of important humanity.
Yet I see stories being clung to in a vain attempt to stave off the cold. Yes, stories are inspirational. I question to what degree, if any, they are actionable. Listening is not acting. Stand still, get the big chill.
I challenge any listener to even my complete story to walk away with one grain of actionable support. Resolve can be a very cheap date—to coarsify a studied sentiment being voiced by growing numbers of shrinks, ethicists, and doctors in relation to advance directives. We tend to over-resolve in advance and under-perform in the crux.
Lessons are, ahem, another story altogether. Taking in and understanding the scope of experiences leading to lessons, and those lessons—that is actionable. Vital, actually, in multiple senses of the term. Performing in the crux of a looming demise to the point of experiencing that demise peacefully requires not getting sucked into circumstances we’ve vowed to avoid. Stories can’t and won’t help us; knowledge may. The unique, uniquely expressed knowledge of citizens who’ve vowed to offer it.
Try a story on, take a stance. Understand how situations play out, make a stand.
It’s the difference between talking about the existence of something and disassembling that thing and learning our way around it. Time and again, year after year, I experience way too much talk about the existence of things and zero examination of those things (enter the typical panel discussion). The trouble is that when we come to end of life, those things loom really, really large, really really quickly. Essentially the experts say “we’ll fix things for you when you show up” when everyone knows that showing up in their realm today functionally equates to being really really broken already.
We talk of trainwreck demises, an apt metaphor. Extending that, it’s possible to sort of get slammed back into the caboose when the train starts to accordian; soften the blow a bit. But we’re still derailed, when our avowed goal was to have rolled softly off onto a siding.
How’re you gonna switch?
Another metaphor I’ve used since my early days in this realm is to “take the weight of the unspoken thing off our backs and try it on for size.” That’s a whole different type of garment. A different kind of story, an informational tale, told fold after fold until it’s laid out like a king’s cloak for all to stand upon. That’s the kind of garment we need to cloak ourselves in.
Anybody want to try that on?
Bart Windrum is a citizen end-of-life reform advocate.
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‘Immortalize’ Your Outlook in a Health-Medical Rap
Hey! If you can’t or don’t wanna rap but would secretly like to to hear your poetic thoughts recorded, I’m now accepting original stanzas for consideration as additional versions of Windrum’s Never Say Die Rap (hear the studio version here). I’ve got the chops, the rap’s got the groove. You have experiences and thoughts.

Here are the groundrules:
• no overt negativity or nastiness (wry is ok)
• at the least, let’s call attention to problems, absurdities
• at the most, let’s add some positive vibes to the e-patient / provider interface and scene
• rhythm and meter matter—a lot
• single stanza ok
• I will be the sole arbiter, selector, consolidator
• if I propose edits I won’t proceed without your approval of them
• you retain intellectual rights to your lyrics; I retain ™ to “Windrum’s Never Say Die Rap” no matter the lyrical iteration
• iterations will be separate files and postings
• at the least I will post performances on a page on this site; possibly on my YouTube feed (req’s a .mov format, distinct from audio).
• no overt negativity or nastiness (wry is ok)
• at the least, let’s call attention to problems, absurdities
• at the most, let’s add some positive vibes to the e-patient / provider interface and scene
• rhythm and meter matter—a lot
• single stanza ok
• I will be the sole arbiter, selector, consolidator
• if I propose edits I won’t proceed without your approval of them
• you retain intellectual rights to your lyrics; I retain ™ to “Windrum’s Never Say Die Rap” no matter the lyrical iteration
• iterations will be separate files and postings
• at the least I will post performances on a page on this site; possibly on my YouTube feed (req’s a .mov format, distinct from audio).
Bart Windrum is a citizen end-of-life reform advocate.
The Strongest Statement for End of Life Autonomy
Diana Rosenkaimer, on the Facebook group IHI Patient Activists, has this to say about end of life autonomy in response to a statement I made in a discussion thread citing the notion of ownership as central to dying in peace:
Medicine can try to define it all they want, they are extraneous unless they cause it. We come into this world alone, we leave alone. And more importantly, leave us alone when we die. Just let the person (who owns it) decide what is right for him/her.
What a statement!
Of course, deciding what is right for ending our lives on planet earth requires much more than we give to it. Most of us don’t know what we don’t know until we’re medically enmeshed and—perhaps ironically stated—get stuck on that slippery slope, in some situation we had avowed against without having much if any knowledge about how to enact and enforce our vow.
What will you do about that?
Bart Windrum is a citizen end-of-life reform advocate.
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Windrum’s Never Say Die Rap audio track
En route to making a music video of Windrum’s Never Say Die Rap (which premiered here) I’ve been practicing a lot, recording vocal tracks over the music loop. Here’s a reasonably decent audio version of it. Volume alert: the audio will autoplay at a strong volume, so adjust your audio equipment accordingly.
Windrum’s Never Say Die Rap Studio Audio
For anyone interested in the process and its technicalia, read on:
The Process
Doing this stuff draws upon musical and software skills. Since I used to play drums professionally I’ve got a leg up—which really and only means that I get to use my ears to identify how crummy a job I’d been doing rapping until committing to audio (distinct from the premier live performance). It’s one thing to know about and feel syncopation with drumsticks and pedals; it’s quite another to control syncopation with the voice, especially to the accompaniment of a complex, thickly layered percussive soundtrack. I’m a perfectionist, and this track ain’t perfect—but it’s only a stepping stone to the video recording and it’s serving its purpose.
I vividly recall the moments during which I’ve been gifted with major insights into all this end-of-life work. But don’t ask me where when or how the idea to create and incorporate a rap arose. I truly don’t remember anything beyond that it occurred in my home office during the early fall of 2012 coincident with working on the development of Windrum’s Matrix of Dying Terms. I can say, however, that—like a child—now that it’s here, it’s here to stay.
The soundtrack loop is called Danger Zone by DJ Buzzword, a hip up-tempo loop you can find here. I listened to dozens of loops from Buzzword’s catalog, which I found serendipitously via a Google search, and knew immediately that Danger Zone (such an appropriate name for my topic, eh?) was the one—provided I doctored (haha) it. I processed it twice, slowing it way down, then changing the pitch. Danger Zone’s pulse is anchored by a tonic pitch so I dropped the loop to a key that I could sing to (it’s actually a touch higher than is comfortable but any lower and the pulse’s tonality disintegrates). I really like how thick the lows have become. If you can, listen to the Rap track through a good sound system or headphones and loud enough to hear it all.
Next I opened the loop in Apple’s GarageBand program and added some spare accompanying parts. I use “found” sounds and instruments, stuff Apple includes with Garage Band. In almost all cases I orchestrated the arrangement so that these additions arise between rap lines. Toward the end I layered some behind the lyrics. I added 3 elements:
• a “whirring” chordal sound (found)
• a deep bass tonic note
• a stepping melodic phrase (I typed the phrase as a rhythm into the onscreen piano keyboard in real time, applied a GarageBand preset instrument to the input and then processed it with echo. For its second appearance at the end of the rap I drag-copied it several times so it becomes iterative. There was some serendipity on this one; the preset made chords of each single note’s input. Tres cool.)
Basically this is just sonic collage, and great fun!
I exported the composition to a sound file, then opened it in Amadeus Pro, a sound editor. There I slowed it another 2.5% or so to make rapping to it manageable (I had to run it up-tempo for the Ignite Denver talk in order to time it exactly to 2 minutes and 8 slides). The few percentage points tempo change really does make all the difference. Rapping takes a lot of air…
Recording the vocal tracks required that I monitor the loop through headphones while recording the rap with my nifty studio-quality Snowball USB microphone—which does a superb job. I recorded a batch of rap tracks and wound up combining them, cherry picking the best performance for each verse from among them, duplicating a single tag phrase throughout, and merging tracks. I obtained the virtual chorus near the end by merging a batch of tracks in the original audio file into one, then pasting that merged phrase into a separate track in the build file. All vocal tracks have a bit of reverb applied.
Lastly, I precede my iteration of DangerZone and the Rap with DJ Buzzword’s original. The contrast is pretty cool.
The Keynote
The faceted keynote (windup key) harkens back to my college years (~1971) when I played in a band called Lucky and The Windups with Tony Hagins (guitar) and John Gould (bass). Tony said that “lucky windup” referred to a joint (the kind that’s now legal here in Colorado); maybe just in his own lexicon. Anyway I had the idea to combine a musical note and a windup key atop its staff. I later simplified the rendering when I started my first freelance graphic design office circa 1980, Keynote Design (double entendre). I’ve kept this film of the original faceted keynote in my file for all of these years.
Bart Windrum is a citizen end-of-life reform advocate.
Windrum’s Never Say Die Rap Premiers at Ignite Denver (video)
On Wednesday 24 October 2012 at Denver’s Oriental Theatre I joined 14 other speakers at Ignite Denver 12 in presenting 5 minute talks called “sparks.” These highly structured presentations require 20 slides (of one’s own making) that auto advance every 15 seconds (you can’t control them yourself; no running one slide for 23 seconds and a following slide for 7). Preparing for these are very challenging under any circumstance (such as a single presentation thread), so what did I choose to do? Include two major new works within an end-of-life primer:
• Windrum’s Never Say Die Rap, a 2 minute rap about end-of-life craziness
• an early version of Windrum’s Matrix of Dying Terms (it wound up being v2; a fuller albeit truncated explanation of v3, the theoretically final version, is here).
Even though I flubbed my own rap lyrics several times—I had to run the rap a bit up-tempo to time it to 8 slides—on the whole I think it plays well enough. Plus, people attend Ignites for several reasons: to feel the spark of new ideas, and to ride the anticipatory edge of wondering if a presenter will crash and burn; to experience how speakers function in this brief, pressure-cooker presentation format. So here it is…all in all, about the shortest, tightest presentation of complex end-of-life matters possible. And…rap lyrics below.
(Inside joke note: my reference at 4:15 to end-of-life-landings GPS coordinates and a final geocache location that elicited some unanticipated laughter riffed off of an earlier presentation that night on Geocaching.)
For more Bart Windrum videos click here.
Want to die at peace got to die in peace
All of one piece say “pretty please”
Want to go in grace with a neutral face
We’re done this race—no gotta stay in place
Beyond ready to depart
Jump jack your bones and shock your heart
When you’re pickin pickin at the air
No bro ma’am you ain’t goin nowhere
There is an app for that
Windrum’s Never Say Die Rap
Independent thinker, no one’s rube
Shove in 1 2 3 4 5 tubes
With CDiff MRSA gurgle gurgle
And all I wanna do is cuddle and snuggle
There’s no app for that
Windrum’s Never Say Die Rap
And: in the annals of stupidity
death panels twist our talkin free
Can’t touch the sky, can’t see or be seen
Ain’t livin ain’t dyin don’t mean to be mean
When death comes knockin my clock tic tockin
Hey everybody: deus ex machina
Rap about that
Windrum’s Never Say Die Rap
Now it ain’t just medicine in our way
If you don’t talk, you don’t get no say
Call 911 when it’s time to pass
blockin our own path pain in our own ass
Take a number for that
Windrum’s Never Say Die Rap
Steve Price RN says dyin is dyin
his songs are cool; he ain’t lyin
Chart your glidepath while there’s time
to die at peace with minimal cryin
Study up, make some sense
of 21st century impediments
Time to grow up before we get old
There’s more to dyin than we’ve been told
Wishing won’t help us turn the page
So sixteen new terms to engage
I have a matrix for that
Windrum’s Never Say Die Rap
Windrum’s Never Say Die Rap
© 2012 Bart Windrum, Axiom Action LLC, and Bartholomewsic
Danger Zone loop by DJ Buzzword. Additional loop processing and orchestration by Bartholemewsic.
Hear also Awake, Steve Price, RN
Bart Windrum is a citizen end-of-life reform advocate.
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Tagged die in peace, end of life, Ignite Denver, Never say die, video, Windrum's Matrix
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